We believe you may be interested in the following materials:
From book guides to film guides to in-depth artist explorations – feel free to browse and use.
How can your unique arts and culture perspective benefit the community’s Yom Ha’atzmaut celebrations? Some materials to help you think through some of the issues.
The original article, that draws direct connections between the current needs of Israel Engagement, and the arts.
Below you can also find all the materials posted that have been earmarked for your interest.
Singer-songwriter Yonatan Raza’el went to the shiva house of the Frankel family, after the murder of their son, Naftali Frankel. Later at a concert he confided that Rachel Frankel, Naftali’s mother, found him sitting in a corner and said to him: “Yonatan, I don’t know if you know this, but all we have to say now is “I am unworthy of all the kindness that You have so steadfastly shown Your servant.”
She was both quoting from the book of Genesis 32, and also from Yonatan’s award-winning song: Ktonti – I am unworthy.
May 15, 2014 by Makom
It may be fair to say that while most Israelis were surprised at the conviction of Ehud Olmert, and even at Olmert’s involvement in illegal activities, few Israelis were surprised to learn of corruption in the higher echelons of the State. After all, Ehud Olmert is far from the first minister of government to be sent to prison for corruption-related charges.
Here are HaDag Nachash’s top three songs of political corruption…
“Only Here I feel at home, although I’m angry about the corruption” (in the days when Makom was called NACIE…)
“I’ve had it up to here with political parties…” The FishSnakers’ take on Meir Ariel’s timeless lyrics.
Raging against the machine… it’s time to wake up… (click on captions for subtitles we provided)
Do you run a book club in your organisation? Why not suggest studying books by Israeli writers?
Here we offer book guides to novels written by Israeli novelists, that are available in English translations. Just click on an image to reach the downloadable guide.
Feel free to suggest additional books to write guides for, and let us know how and where you are using these guides.
Here is our guide to: THE LOVER, By A.B. Yehoshua
April 9, 2014 by Robbie Gringras
I’m very excited about London, these days.
Starting on 27th April there’s going to be a massive Israel festival leading up to Yom Ha’atzmaut on the night of May 5th.
It’s the JW3 inaugural Chag Ha’atzmaut, that we at Makom consulted on.
I think it’s just a fantastic program, and I’m going to spend the next 9 days explaining why.
As its title suggests, the festival deals with the Party and the Political – fun stuff and serious stuff, panels and lectures, performances and screenings. The festival has everything – live music and live parody; Brits discussing Israel and Israelis discussing Israel; films and art and theatre; amazing dance workshops and kids’ events.
What gets me most buzzed is that JW3 has made such a bold statement: That Israel is important to them – important enough to relate to Israel’s dynamic complexity as an honest adventure that has room for celebration and for deep questioning.
First up tomorrow: Hallelujah! With Live Performance by Kobi Oz, and the film Precious Life.
Originally published 2007
In Eurovisionland, things like this aren’t supposed to happen.
In Eurovisionland everybody is smiling, all songs are catchy, and boom boom bingabang is a challenging lyric. This year, it’s all going to be different. And it’s all Israel’s fault.
The Eurovision Song Contest is Europe’s leading annual song contest, drawing huge numbers of viewers, and the continent’s greatest musical talent. Every country selects their own favorite original song, and sends off their hero to compete for the crown of the best song in Europe that year. Unlike X Factor, the emphasis here is on the song-writing itself, and not necessarily on the performer.
Are HaDag Nahash coming to perform for you?
Why not make sure that everyone enjoys their lyrics as well as their music?
All you need to do is set up a screen above the stage, a computer projector, and download these powerpoints…
Then all you need is someone who is a fan of the band, whose Hebrew is as good as their English, and who has a spare finger to keep clicking…. You can find a few more tips here in our section on booking Israeli bands.
Two more things:
- Please keep our logos on the slides – we’re not asking for any payment, just acknowledgment.
- Find out more about HaDag Nahash from their official site, here.
A beautiful documentary about the Idan Reichel Project on their first visit to Ethiopia. The movie follows the whole band, but in particular the experiences of the two Ethiopian-Israelis, one of whom has memories of his life in Ethiopia, and the other who remembers nothing. A wonderful exploration of music, home, and identity.
The film is available from firstname.lastname@example.org
November 28, 2013 by Robbie Gringras
Along with the heart-felt tributes to Arik Einstein, there has been a fascinating undercurrent of emotional hoarding on the part of some Israelis. Assuming that no one outside of Israel has ever heard of Arik Einstein or any of his songs, they then make a further assumption that it is their job to explain what he and his music meant. Yet after this double-assumption, everything closes down. Writes Israeli-born Liel Leibovitz: “I have nothing to say to you about Arik Einstein. I’m sorry to sound like a prick, but you wouldn’t get it.” It’s an extreme comment, but sums up a prevailing sentiment. Those non-Israelis, they won’t get it.
There is something rather beautiful and also sad about this kind of response. The character and the music of Arik Einstein made its impact in the way the best of art should: Through our hearts. His music touched millions, each of whom received it as if created for them alone. This is the paradoxical magic of art. As a result, when feeling his loss, it is a personal emotional loss that – when we are sad – we sometimes fight to “own”. “You wouldn’t get it,” is a perfect way to maintain the purity and unique authenticity of my pain. To Full Post
What do you need?
- You need to have read the book yourself…
- You need for everyone attending the discussion to have read the book (or up to the chapter you are discussing, in the 9-part series) – no short cuts!
- You need to have worked through the guide, making decisions for yourself.
- You are welcome to print out any of the materials you wish. You can also run the entire session carbon-free.
- You need a quiet, well-lit room with comfortable seating for the discussion itself.
- Set up a flip-chart or white board. To Full Post
Bettering or Battering?
A recurring theme in Shavit’s narrative is the difference, sometimes chasm, between intentions, actions, and results.
- What would you say were Shavit’s intentions in writing this book?
- Did he succeed?
The Jewish community throughout the world tends to be suspicious of those who criticize Israel and Zionism. This may be because criticism can serve two opposing intentions. Sometimes criticism is a call for destruction, and sometimes criticism is a call for improvement and reconstruction.
- How would you classify “My Promised Land” – reconstructive? destructive?
- Do you believe Shavit’s intentions were towards construction or destruction? To Full Post